#Stranger things vr review plus#

The problem of splitting the action between Indiana, Nevada and Kamchatka is reconciled smoothly enough. The decisions over which character intervenes when, and how, are perfectly made – as are the ones over who dies and why.

Once this emotional framework has been carefully put in place, the fireworks finally begin and they don’t disappoint, with no big surprises (various characters find themselves on the edge of defeat in a fight to the death before visions of what truly matters to them give them the strength to rally at the last second) but a lot of impeccable judgments. Latterday Goonies … Priah Ferguson leads the unsupervised saviours. One day, you’re going to summon the courage to look your father in the eye and say: “Dad, my values are not aligned with yours, so I’m leaving your underground telekinesis laboratory and I’m not coming back.” Sooner or later, you’ll have to stop being the class joker and admit there are things you believe in and people you love. Eventually you’ve got to stop listening to Kate Bush on your Walkman, take off your headphones and engage with the outside world. The Duffers appreciate that all this is a metaphor for coming of age, so they sprinkle their finale with universal life lessons about slaying your personal monsters and growing up. These stories say that it’s OK to be different – to be shy and angry, or a Dungeons and Dragons nerd, or secretly gay, or a heavy metal freak – because your small town might just be the most important place in the world, and maybe you’re not different, but special. They understand what underpins their reference points, and in particular they get how the “neighbourhood apocalypse” genre works. Stranger Things might be an indulgent 1980s homage to horror, cold war thrillers, hacker movies, fantasy, and films like The Goonies or Stand By Me where a bunch of unsupervised kids try to save the day but its creators, the Duffer brothers, aren’t just superficial pasticheurs. A group of sympathetic adults, meanwhile, are stuck in a grimy Soviet Union prison, battling a creature left over from a previous season. Psychic superheroine Eleven (Millie Bobby Brown) has unlocked memories from a childhood spent in a secure facility for kids with strange powers, revealing that she opened up the interdimensional portal while confronting One, a murderous fellow inmate, thus turning him into the vengeful Vecna. Where were we? In Hawkins, Indiana, in 1986, waiting for a gang of plucky teens to mount a final assault on Vecna, the demon who roams a dank dimension beneath the town. But if it hasn’t quite overstretched itself yet, you do wonder where Stranger Things can possibly go from here.

#Stranger things vr review plus#

It’s crazily, luxuriously sprawling, running to nearly four hours, and does everything fans could have expected plus several dollops more. The double-bill denouement – held back for a month by Netflix to allow hype to build – is more expansive still. It was clearly more expensively produced, with a larger cast and a surer sense of why all the monsters, heroes and hangers-on were there. Stranger Things season four was already bigger and better than anything the show had done before.